Tempio di San Nicolò

Amen

Great

Milo....

Historical and prayer place.

Nice church

After renovation maybe exciting. Actually of limited relevance.

What a place to visit, we were speechless, the art, the grand colombes and the sound

This beautiful monumental church is located in the south-western part of the historic center, on the left bank of the Sile, in an area mostly recently built as it was severely damaged by the bombings of 1944. Attached to the building is the former Dominican convent, today episcopal seminary. The Church of San Nicolò was built in the early 1300s by the Dominicans also thanks to the substantial bequests of the friar Niccolò Boccalino, better known as Pope Benedict XI. With its simple shapes, but elongated upwards, with the massive perimeter walls just broken by thin slits from which a light enters tempered by the ancient windows, the Church of San Nicolò marks a moment of transition between the robust Romanesque style and the elegant Gothic of transalpine origin. The interior of S. Nicolò has a large space, where you can breathe a pleasant atmosphere of brightness that is reflected in the warm and golden tones of the brick. The Latin cross of the building is divided into three naves cut by a transept on which five parallel apse chapels open. The columns, which support the simple carined wooden ceiling, show frescoes by Tommaso da Modena, present in the second column on the left, depicting San Girolamo, Santa Agnese and San Romualdo. Other frescoes in the church are attributed to his school, although not directly to the teacher. There are 12 columns such as the number of the Apostles, among which the first 2 are in stone. In the presbytery, there is the funeral monument of Agostino Onigo (15th century), a valuable sculptural work by Giovanni Buora and Pietro, Antonio and Tullio Lombardo. Wonderful paintings belong to Lorenzo Lotto, Giovanni Buonconsiglio and Girolamo Pennacchi with the collaboration of Giovanni Matteo da Treviso. The important people of Treviso in the Cappella Onigo were painted by Lorenzo Lotto in the 16th century. The patrons of the time wanted the masters to build the temple with a precise arrangement of windows, medallions and frescoes. Thus the church was built at an angle of 91 degrees and 4 minutes with respect to the line of the sun, and on the day of the winter solstice, around noon, the rays hit perfectly the six medallions arranged on the north side of the church.