Chiesa di Sant'Ambrogio

Very beautiful church Very simple front hides incredible amount of beauty. And like any piazza in the city, church by day and hung out area by night...

Great experience well worth the money

In Firenze at each corner of a street you discover an extraordinary piece of history of Art like this marvelous church

A must see church.

The Church of Sant’Ambrogio (St. Ambrose) is literally one of the oldest structures in Florence, the nowadays church stretching on the alleged place where St. Ambrose himself stayed while visiting Florence in 393. Given the reputation of the guest, a church was later built on that precise place, a church which was first mentioned in 998, though there are indications as to the existence of a religious establishment long before the 10th century. Florentines are fond of this church mainly due to the alleged miraculous episode said to have occurred in 1230 when the wine remaining from the previous day in a chalice turned into blood. On the very spot where this episode took place the Chapel of the Miracle (Cappella del Miracolo) was later built with a marble tabernacle designed by Mino da Fiesole (in late 15th century). All these aside, the church is also valuable as to its artistic asset to which plenty of notable figures have shared in. Filippo Lippi, Sandro Botticelli, Masaccio and his master Masolino, the above mentioned Mino da Fiesole, Fra Bartolomeo, Niccolo Gerini, Lorenzo di Bicci, Giovanni della Robbia and others have all contributed with their best artfulness to the artistic heritage of the church.

One of the most ancient churches in Milan, it was built by St. Ambrose in 379–386, in an area where numerous martyrs of the Roman persecutions had been buried. The first name of the church was in fact Basilica Martyrum. When St. Ambrose arrived in Milan, the local churches were in conflict with each other over the conflict between Arianism and the Nicene Creed as well as numerous local issues. He was firmly in support of the Nicene side of the conflict, and wanted to make northern Italy into a pro-Rome stronghold. He did this through both preaching and construction. He built three or four churches surrounding the city; Basilica Apostolorum (now San Nazaro in Brolo), Basilica Virginum (now San Simpliciano), and Basilica Martyrum (which was later renamed in his honor). A fourth church, Basilica Salvatoris (now San Dionigi) is attributed to him as well, but may not actually be from the 4th century. These churches were dedicated with anti-Arian language and as symbols of the wealth and power of the pro-Nicene faction in Milan. In the centuries after its construction, the edifice underwent several restorations and partial reconstructions, assuming the current appearance in the 12th Century, when it was rebuilt in the Romanesque style. Initially, the basilica was outside the city of Milan, but over the following centuries, the city grew up around it. It became a center of religious life and a community of canons developed in the church. In 789, a monastery was established within the basilica grounds. The canons, however, retained their own community and identity instead of fading away. Two, separate, distinct religious communities shared the basilica. In the 11th century, the canons adopted orders and became Canons Regular. There were now two separate monastic orders following different rules living in the basilica. The canons were in the northern building, the cloister of the canons, while the monks were in the two southern buildings. The two towers symbolize the division in the basilica. The 9th-century Torre dei Monaci ("Tower of the Monks") tower was used by the monks to call the faithful to the monks' mass. The monks supported themselves, partly, from the offerings given after mass. However, the canons did not have a bell tower and were not allowed to ring bells until they finished their own tower (on the north side)[4] in the 12th century. The monastery and church became a large landholder in northern Italy and into what is now the Swiss Canton of Ticino. On 4 August 1528 it was the so-called "Peace of St. Ambrose", between the noble and popular factions of the city, was signed here. In 1492 the Benedictines commissioned Donato Bramante, structural architect of St. Peter's Basilica, to renovate the new rectory. In August 1943 the Allied bombings heavily damaged the basilica, in particular the apse and surrounding area. As a result of this a new building, painted in pink, was constructed to house the Abbot's offices and the museum.

Overlooked jewel well worth the visit, especially since the restoration work.

Beautiful church but with some less comprehensible interventions during its interesting life. Here was undertaked Simone del Pollaiolo the architect who designed Palazzo Strozzi and the Loggia dei Tessitori